"It's a full-scale assault on all six senses.Yes, you
read it right. This sort of thing penetrates your
psyche, too. And you don't see N'Suck doing that
for you, now, do you?! And is, amazingly,
startlingly poetic.
The first song, "Rude Moon," does nothing more than assault you and your sub-woofers with full- scale bawling out of the lyrics. So what? Skip to "Mother Queen" for the sonic poetry: "Please give me a glance at your daughter/Just a moment and a single faint word."
Wherefore art thou, Arthur? Dost thou knowst how
bittersweet thine lyrics be, enough to wheedle a
sexual favor out of a throng of disillusioned girls or
three? "
I need some crack, a battery acid sandwich and
another listen. The next day I will travel to
Holland and see The Scars. I suggest you do the
same.
By: Benadette Giacomazzo, NYC
The Indie Chronicles.
Somewhere in Holland, a red Squire guitar, a
delay pedal, a couch pillow and a high hat were
stolen. The children whisper of a man resembling
Bob Dylan living in "that" house. Somewhere
Arthur has returned to his closet - waiting for a
beating that already may have arrived.
Brian Barry, USA e-zine,
InMusicWeTrust.com
"Loved the site, LOVED the ART,
Great variation to the boring carbon copy,
we all see too much of," Daniel Freedman, Hoochiegear,
Indie Radio, PA, USA.
"Tormented voice keeps you on the tip
of your chair for 49 minutes.
Lights off, emotions roll."
Roel Bouman, LiveXS.
OutMagazine
"Vocals grunts and sounds create an alien
audio atmosphere, leaving us puzzled and
estranged,"
Eddie Westbroek, EW72.com
"Fetish, swirls, undulates.
Never seems to get lost,"
Jeb Branin, USA e-zine,
The Crass Menagerie.
"MotherQueen is most appealing.
One of those records I need keep an eye on,"
Jan Douwe Kroeske,
National Radio and TV,
a kind of Peelshow.
"Irritating, steerless, listenerunfriendly,"
Ronald St., Local Pop Zine.
"Fantastic voice, what did this boy
drink and smoke,"
Wouter Dielesen, OOR,
National Cult Zine.
"Listened twice, belongs to the VPRO. "
Erwin Blom, VPRO.
"Good compositions,"
Dutch national radio.
Rene ten Brink, Epitaph Europe,
Amsterdam.
"Freaky, but good"
Bas, Winston Kingdom.
Amsterdam .
"Soundscollages. Drive"
Abel de Lange, Radio North-Holland.
"Rudimentair, beginning of the rock&roll."
Sander Kerkhof, VPRO
"Big label, big producer, that's what you need,"
Arjan Grolleman, Kink FM. Radio.
"Promising and confusing"
Paul van Gelder, Vara Nightradio.
"Raw, experimental, starting time of the punk,"
Arie Groenenveld, Radio Rijnmond.
"Don't understand a damn.
We only have regular acts!"
Jan van Dingstee, Mojo.
"Vocals grunts and sounds create an alien audio atmosphere, leaving us puzzled and estranged,"
"MotherQueen sprak me in het bijzonder aan. Een van die platen, die ik apart leg," Jan Douwe Kroeske, Vara. "Irritant, stuurloos, luisteraaronvriendelijk," Ronald, Haags Pop Blad. "Fantastische stem, wat heeft die jongen allemaal gerookt en gedronken." Wouter Dielesen, OOR. "Twee keer naar geluisterd. Hoort thuis bij de VPRO," Erwin Blom, VPRO. "Goede composities," Rene ten Brink, Epitaph. "Freaky, maar goed," Bas, Winston Kingdom. "Mijn luisteraars lopen weg," Ton van Draanen, RadioWest. "Big label, big producer, dat hebben jullie nodig," Arjan Grolleman, Kink FM. "Geluidscollages.Drive. Het moet eruit, het gaat eruit," Abel de Lange, Radio Noord-Holland. "Doet denken aan The Doors, Pink Floyd en Captain Beefheart,Tom Waits," Local Students. "Rauw. Experimenteel. Begin tijd van de punk," Arie Groenenveld, Radio Rijnmond. "Gezonde dosis gekte. Ik begrijp er geen snars van," Jan van Dingstee, Mojo.